Balamohan Shingade
WriterPhD Candidate (Philosophy)
Publisher, Spoor Books
︎ Instagram
︎ Youtube
︎ Bandcamp
2024
︎ Led Astray from a Cultural Inheritance︎ Of Demons and Dissent
︎ Life, Abiding and Transpiring
︎ Three Types of Timepass
︎ Propping Up Pride: The Intervention of Hindutva in the Indian Diaspora’s Negotiations of Belonging in Aotearoa/New Zealand
︎ Two Buffaloes and the Moon
︎ Spoor Books launch and logo
2023
︎ Thinking Out Loud︎ Singing with Practical Intent
︎ Past the Tower, Under the Tree
2022
︎ Hermeneutical Injustice in the Context of Settler Colonialism︎ First findings from conversations with Asian New Zealand musicians
︎ Thinly-Veiled Threats: A Response to The Indian News
︎ Tabula Rasa (Variations I – IV)
︎ Raga Puriya Dhanashree
︎ Asian in Aotearoa
︎ The Songwriter’s Diary
︎ Morning Glory with Tuva’a Clifton (95bFM)
︎ Hermeneutical Injustice in the Context of Settler Colonialism
︎ Where the Mind is Without Fear
︎ Massey research paper on Hindutva leads to trolling, persecution and threats
2021
︎ On TK Returning to Rotorua︎ Raga Bilaskhani Todi
2020
︎ Gulabi︎ May Fair
︎ CARE Artist-in-Residence
2019
︎ How to Live Together︎ St Paul St Curatorial Symposium: It’s as if we were made for each other
︎ 4th Kochi-Muziris Biennale, “Possibilities for a Non-Alienated Life”
2018
︎ A Letter from Bombay, or Mumbai: On the Troubles of Renaming as a Decolonial Act︎ Foreign Returned: Between expatriate and repatriate in Mumbai
︎ Returning to the Megalopolis
︎ Bruce Barber: I Swear
︎ Reincarnation of From Scratch
2017
︎ Attending to the Other in Us︎ Observing Rituals with Kushana Bush
2016
︎ Community, Community Art, Community Art in Howick︎ Kinetic Rituals
︎ Shannon Novak: Listening Forms
︎ Soft Architecture
2015
︎ The Adda Community2012
︎ Thirty-Six Views of Mount Taranaki︎ Both Worlds