Balamohan Shingade

Candidate for the PhD in Philosophy
The University of Auckland

2022

︎ Hermeneutical Injustice in the Context of Settler Colonialism
︎ Thinly-Veiled Threats: A Response to The Indian News
︎ Tabula Rasa (Variations I – IV)
︎ Raga Puriya Dhanashree
︎ Asian in Aotearoa
︎ The Songwriter’s Diary
︎ Morning Glory with Tuva’a Clifton (95bFM)
︎ Hermeneutical Injustice in the Context of Settler Colonialism
︎ Where the Mind is Without Fear
︎ Massey research paper on Hindutva leads to trolling, persecution and threats

2021 

︎ On TK Returning to Rotorua
︎ Raga Bilaskhani Todi

2020

︎ Gulabi
︎ May Fair
︎ CARE Artist-in-Residence

2019

︎ How to Live Together
︎ St Paul St Curatorial Symposium: It’s as if we were made for each other
︎ 4th Kochi-Muziris Biennale, “Possibilities for a Non-Alienated Life”

2018

︎ A Letter from Bombay, or Mumbai: On the Troubles of Renaming as a Decolonial Act
︎ Foreign Returned: Between expatriate and repatriate in Mumbai

︎ Returning to the Megalopolis
︎ Bruce Barber: I Swear
︎ Reincarnation of From Scratch

2017

︎ Attending to the Other in Us
︎ Observing Rituals with Kushana Bush

2016

︎ Community, Community Art, Community Art in Howick
︎ 
Kinetic Rituals

︎ Shannon Novak: Listening Forms
︎ Soft Architecture

2015

︎ The Adda Community

2012

︎ Thirty-Six Views of Mount Taranaki
︎ Both Worlds

2010

︎ Raga Marwa

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